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Enchanted_360P

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Trailer—Enchanted

I was lucky enough to see a preview of "Enchanted" yesterday, and I am really glad I went. The big appeal in this movie is , I think, the fact that Disney seems to be making fun of itself. From the one-day romances, to the spontaneous singing, this Disney movie delivers all of the classic plot lines but with a humorous and decidedly fresh panache. Amy Adams makes a sweet princess, and James Marsden plays Prince Charming (or Prince Edward in this case) as an innocent and ditsy hero. Susan Sarandon is witty as the evil witch, and Timothy Spall makes an endearing henchman. Patrick Dempsey makes for a great anti-hero. But in my opinion, Pip the squirrel was the most hilarious character, especially when communicating Spalls true intent to the oblivious Prince Edward. From the musical numbers to the CGI, this movie is definitely worth watching with the whole family.

I love Disney movies, really, I do. Lion King and Aladdin are amazing, and I was hoping with Enchanted we might get a bit of that same greatness. I wasn't asking for Enchanted to be as good as Disney's old animated movies- I was merely asking for something substantial. And I didn't get it. The thing with Enchanted is is that it is a brilliant idea, and when I began watching it I actually liked it. When Giselle leaves the animated world and comes to Manhattan the movie starts to become another clichéd nightmare. Patrick Dempsey did not do well, in my opinion. He was too old for Amy Adams and I did not believe his acting at all. Amy Adams, while doing fantastic, was not given a good enough script to work with- same with James Marsden. I am aware that it's a children's movie and it deserves to have a fairytale ending, but the thing that irked me the most was that this movie gave us a moral- Love takes time, love takes getting to know somebody - and then defy it ten minutes later. I was actually appalled with how it double-crossed its own expectations. Idina Menzel (Nancy, I think, in the movie) was with Robert for FIVE YEARS. Five years- there has to be substance there. Even if the child didn't like her (which was a half-hearted attempt to get the audience to do the same) the point was that Robert did. He had to have if he was with her for so long and proposed. How can he- who tells Giselle that it's not even thought of to marry within days- fall in love with Giselle in three or four days? She does nothing spectacular but yet there's TRUE LOVE. Ladies and gentlemen. To add salt to the wound (and to give us the false hope that every romance can end perfectly) Nancy marries the prince hours after she meets him! How a movie can be so inconsistent? The only reason I am giving this movie a 2/10 is because of the song "So Close" by Jon McLaughlin and James Marsden. I absolutely adore those elements of the movie, but unfortunately they are not enough to redeem the entire thing.

This is really the definition of "light entertainment," and seriously, I am still smiling about it now. After getting in the way of an Evil Queen, a fairytale princess is cast into an alternate reality--the real world as we know it--and must survive there until her rescue by her Prince Charming. Hmm! From the trailer I saw, my guess was that "Enchanted" was a one-joke show, a series of gags about how fairytale magic falls on its face in the real world. That Disney has managed to squeeze at least four or five good jokes out of the idea, and mixed in a few sprinkles of profundity on top of that, is something of an achievement. As a romp, it works fairly well, and it delivered quite a lot more than I was expecting. This is a risky film to make, and Disney gets points for having the guts to unleash this oddity on the holiday season. It's a fun film that isn't afraid to go, occasionally, in weird and startling directions. The intersection of the two worlds--the world of faith and magic, and the world of disillusionment and hard reality--creates the expected comedic drama at first. Then the two opposing realities begin to influence and change each other in unsettling and stimulating ways that may surprise the audience. The ideas aren't fully developed, but a crucial detail was attended to at the wrap-up that satisfied me--the main characters succeed mainly because they are able to grow beyond their previous conceptions of themselves. Along the way of telling this story, we get to see a very challenging film production featuring two distinct worlds and their accompanying designs, and the intermingling of these two worlds. It's occasionally heavy on visual effects and animated sequences, but the effects are always story-driven and never gratuitous--a surprising enough thing nowadays that it's worth taking note of. Strong film-making skills, with an old-school sensibility, are at work. My rating gets an extra point for an audacious, overblown MGM-style singing/dancing sequence, the kind that is rarely seen in theatres nowadays. Go see it!